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That night, three creatures attack. Emiri stands on the roof of the station, Taro clutching her leg. She waits until the creatures are in a cluster, their ears swiveling toward a false noise she has planted.
As our interview concludes, I ask Momota what she wants the Quiet Place fandom to take away from her exclusive work.
One of the most striking aspects of A Quiet Place is its use of American Sign Language (ASL). The film's director, John Krasinski, made a conscious decision to include ASL in the movie, recognizing the importance of accessibility and representation for deaf and hard of hearing audiences.
To the casual moviegoer, the name Emiri Momota might not trigger instant recognition. But to those in the sound design and visual storytelling industry, Momota is a legend of negative space. A graduate of the Tokyo University of the Arts, Momota made her name not by what she adds to a frame, but by what she removes. Her early work on arthouse horror Kodama (2018) earned her a cult following for a 15-minute sequence utterly devoid of dialogue, relying solely on the texture of rice paper and the snap of a single twig.
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