Shot on location in the rugged Spanish countryside, the film's cinematography, handled by Rafael Iruegas, is a character in its own right. The camera work is breathtaking, capturing the unforgiving beauty of the landscape and the intense physicality of the characters' actions. Iruegas's lens work masterfully oscillates between intimacy and distance, reflecting the characters' increasingly fractured relationships.
What sets As Bestas apart is Sorogoyen’s refusal to rely on cheap jump scares or melodramatic tropes. Instead, he builds a "slow-burn" dread through: as bestas rodrigo sorogoyen
As Bestas is not merely a thriller; it is a profound tragedy about the impossibility of coexistence when survival is at stake. Rodrigo Sorogoyen strips away romantic notions of countryside life to reveal the primal conflicts that simmer beneath the soil. By refusing to paint heroes or villains, he creates a mirror for contemporary tensions—between nations, classes, and ecologies. The final shot of Olga, standing alone in the muddy field as the villagers go about their business, is one of the most devastating endings in recent cinema. It asks a simple, haunting question: Who are the real beasts? Shot on location in the rugged Spanish countryside,