In the text, Mangkubumi is portrayed not just as a warrior, but as a "Wong Jawa Sejati" (True Javanese)—a hero of high moral standing, steeped in Javanese mysticism and chivalry ( ksatria ). The text contrasts his struggle with the machinations of the Dutch, painting him as a defender of Javanese sovereignty against foreign intervention.
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The central conflict documented in the text is the struggle between two claimants to the throne: In the text, Mangkubumi is portrayed not just
The term Babad Giyanti refers to a collection of Javanese poetic manuscripts ( kidung or tembang ) that chronicle the events leading up to, during, and immediately after the (1746–1755). In the text