(2012) is less a historical document and more a "revisionist Western" that uses the stylized tools of cinema to confront the visceral horrors of American slavery. By marrying the aesthetics of the 1960s Spaghetti Western with the empowering tropes of Blaxploitation, Tarantino crafts a narrative where the protagonist is not a sidekick, but a "Southern Black Power hero". Subverting the Genre
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