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: Hearing others speak out reminds survivors they are not alone in their struggle, fostering a sense of community.

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If you are designing a campaign that features survivor stories, adhere to the following checklist: : Hearing others speak out reminds survivors they

Furthermore, the act of narrating trauma can itself be retraumatizing. Awareness campaigns often demand a specific, linear narrative: a clear beginning (the trauma), a middle (the struggle), and a triumphant end (survival and resilience). But real trauma is rarely linear. It is recursive, full of flashbacks, setbacks, and ambiguous outcomes. The pressure to perform a "successful" survivorhood—to be inspiring rather than angry, resilient rather than broken—can be a profound burden. As author and activist Susan Sontag noted regarding images of suffering, there is a risk that witnessing becomes a substitute for action, a fleeting moment of empathy that dissipates as soon as the screen is turned off. The audience, having felt a virtuous pang of sorrow or outrage, can move on with a clean conscience, having consumed the story without being accountable to its systemic implications. The pressure to perform a "successful" survivorhood—to be

Use triggers warnings for topics like violence or abuse to protect the audience and the speaker.

The storyteller should always give the "final yes" on the version being published.

The relationship between survivors and campaigns is not always seamless. There is a valid critique that "awareness" can sometimes become a performance—a way for the public to feel good about "liking" or "sharing" a post without engaging in the difficult work of systemic change. There is also the risk of survivors being tokenized, their trauma used as marketing material rather than a catalyst for justice.