Where the Dadaists had responded to the rationalism that led to war with absurdity and nihilism, the contributors to Charnelles seemed to pivot toward a raw affirmation of life. The title suggests a fascination with that which cannot be mechanized: the biological, the rotting, the sexual, and the mortal. It evokes the "Charnel house" (the house of the dead), yet flips the connotation to suggest a persistent, throbbing life force. In the pages of the magazine, the "carnal" is not necessarily erotic in a traditional sense, but rather ontological; it is the proof of being in a world that sought to erase individuality.

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