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For decades, mainstream Malayalam cinema hid its own caste prejudices behind a veil of "secular realism." Upper-caste savarna heroes were the default. However, a new wave—led by directors like Lijo Jose Pellissery and Mahesh Narayanan—has ripped that veil off. Jallikattu (2019) is a primal scream about masculine and caste violence disguised as a buffalo chase. Nayattu (2021) shows how the police, the state's ultimate weapon, is still a tool of caste oppression. The culture of “tharavad” (ancestral home) worship, so central to Kerala’s nostalgia, is being interrogated on screen. Films like The Great Indian Kitchen (2021) did the unthinkable: it linked the sexual and domestic labor of a Brahmin household to the ritualistic pollution of menstruation, sparking a statewide conversation on social media and in real-life kitchens.













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