Marina Abramović’s (1974) remains one of the most harrowing and significant works in the history of performance art. Staged at Studio Morra in Naples, the piece explored the boundaries of the human body, the relationship between performer and audience, and the inherent darkness of the human psyche when social consequences are removed. The Premise: Total Passive Submission
: A collection of the original photographs is presented as Rhythm 0: A Slide Show (1974) , which serves as the definitive visual record of the event. marina abramovic rhythm 0 1974 full video work
The audience held the knife, the rose, and the gun. But in the end, the most fragile thing in that room wasn't her skin. Marina Abramović’s (1974) remains one of the most
Major institutions like the Museum of Modern Art (MoMA) and the Guggenheim hold the primary documentation, including the artist's post-performance reflections and the list of the 72 objects. The audience held the knife, the rose, and the gun
There are 72 objects on the table that you can use on me as desired. I am the object. I take full responsibility for my actions during this period — 6 hours (8 PM – 2 AM).
It serves as a stark commentary on the objectification of the body and the vulnerability of the artist in public spaces.
Someone cut her clothes off with the razor blade. Someone else scratched her skin with the thorns of the rose. A stranger pressed the scalpel against her thigh hard enough to draw blood.