This paper examines the 2011 Brazilian short film Pecados (Sins), directed by Thiego Berto. By analyzing the film’s narrative structure and cinematographic techniques, this study explores the themes of guilt, religious repression, and the human struggle for redemption. The paper argues that the film utilizes a minimalist aesthetic to amplify the internal psychological turmoil of the protagonist, reflecting broader societal tensions between traditional dogma and modern human desires.
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