A haunting aspect of the film is the role of the viewer. Pasolini forces the audience to watch acts of extreme cruelty with a cold, detached camera style. By watching, the audience becomes complicit in the voyeurism practiced by the fascists in the film.
The film uses the human body as a metaphor for consumerism. The characters consume food, sexual acts, and eventually excrement and blood, symbolizing a society that devours everything in its path without morality or restraint. Salo Or The 120 Days Sub Indo
: Para remaja tersebut dibawa ke sebuah vila terpencil di mana mereka dipaksa menuruti aturan otoriter yang ketat dan menjadi subjek penyiksaan fisik, mental, serta seksual selama 120 hari. Struktur Film A haunting aspect of the film is the role of the viewer
