As he played, the room seemed to fade. He wasn't in a cramped city apartment anymore; he was in a 19th-century salon in Paris where Fernando Sor might have debuted these themes, or perhaps in a masterclass in Granada, under the piercing, watchful gaze of Segovia himself. He stopped fighting the fingerings. Instead of seeing them as obstacles, he treated them as a map toward a specific emotion—a melancholy that required the resonance only the fourth string could provide.
If you’re interested in diving deeper into this repertoire, I can: breakdown of the technical focus for each of the 20 studies. specific recordings segovia 20 sor studies pdf
The Andrés Segovia edition of Twenty Studies for the Guitar As he played, the room seemed to fade
Purists argue that Segovia tampered with Sor’s original manuscript. Traditionalists, however, argue that Segovia saved these works from obscurity. Here is what the Segovia edition does differently: Instead of seeing them as obstacles, he treated
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