Updated — Sexyemployeecom+exclusive

The breakup should reveal something about the characters that they must change before they can reunite. If you can remove the breakup and the story still works, cut it.

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Today, the most compelling romantic storylines have moved the antagonist from the external world (war, family feuds, poverty) to inside the relationship itself. The question is no longer, "Will they survive the dragon?" but rather, "Will they survive their own trauma, attachment styles, or career ambitions?" The breakup should reveal something about the characters