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Taya Kebesheska’s Private B01-48 Min is at once intimate and quietly disruptive: a work that insists you slow down, look closer, and reckon with what’s been kept private — and why. Kebesheska, whose practice bridges Anishinaabe visual traditions, contemporary painting, and sculptural sensibilities, uses this piece to probe memory, containment, and the domestic as site of both care and erasure. The emergence of such keywords highlights the ongoing
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