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A Construção Histórica do Gênero Feminino na Narrativa Fílmica de “Desmundo”
The Historical Construction of the Female Gender in the Film “Desmundo”
La Construcción Histórica del Género Femenino en la Narrativa de la Película “Desmundo”
HISTÓRIA DEBATES E TENDÊNCIAS, vol. 21, núm. 2, pp. 67-86, 2021
Programa de Pós-Graduação em História da Universidade de Passo Fundo

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![Gallery Image 2: Padmini in a pale blue or pastel chiffon saree, wind-blown pallu]

The quintessential representation of the South Indian aesthetic. (1957) Indo-Soviet Fusion Her makeup was equally iconic, featuring the classic

Beyond the dance sequences, Padmini’s personal style reflected the "Golden Age" of Indian cinema. She was a pioneer of the high-neck blouse and the three-quarter sleeve, styles that exuded a modest yet powerful femininity. Her makeup was equally iconic, featuring the classic winged eyeliner—often referred to as "fish eyes"—which emphasized her expressive gaze, a crucial tool for both acting and dance. The bold red bindi and perfectly coiffed hair buns adorned with fresh jasmine flowers (gajra) became her signature look, one that defined the "Indian beauty" standard of the 1950s and 60s. Her makeup was equally iconic

: Her look was characterized by the "retro wing" eyeliner, a prominent bindi , and elaborate hairstyles often decorated with fresh jasmine garlands ( gajras ). a prominent bindi

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