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Cinematographer Judith Kaufmann ( Frantz ) used handheld cameras and available light to blur the line between documentary realism and memory. The lake itself becomes a character: calm and indifferent, reflecting Yvonne’s inner stillness while hinting at deep currents below.
Yvonne am See 2021 had a lively events calendar, with something for everyone. Some of the notable events included:
For the casual viewer, her 2021 works offer a moment of meditative calm. For the serious collector, they represent a sound investment in a blue-chip Swiss artist. But for all, is the chapter that defines a career—a year when the artist stopped painting what she saw and started painting what the lake remembered.
How has aged since its release? Remarkably well. In 2022, Oberli released a short companion piece, Lenas Sommer , following Yvonne’s daughter as she navigates her own path—proof of the world’s richness. The film is now regularly taught in Swiss film schools as an example of efficient, emotional storytelling (85-minute runtime, no excess).
Cinematographer Judith Kaufmann ( Frantz ) used handheld cameras and available light to blur the line between documentary realism and memory. The lake itself becomes a character: calm and indifferent, reflecting Yvonne’s inner stillness while hinting at deep currents below.
Yvonne am See 2021 had a lively events calendar, with something for everyone. Some of the notable events included: yvonne am see 2021
For the casual viewer, her 2021 works offer a moment of meditative calm. For the serious collector, they represent a sound investment in a blue-chip Swiss artist. But for all, is the chapter that defines a career—a year when the artist stopped painting what she saw and started painting what the lake remembered. Cinematographer Judith Kaufmann ( Frantz ) used handheld
How has aged since its release? Remarkably well. In 2022, Oberli released a short companion piece, Lenas Sommer , following Yvonne’s daughter as she navigates her own path—proof of the world’s richness. The film is now regularly taught in Swiss film schools as an example of efficient, emotional storytelling (85-minute runtime, no excess). Some of the notable events included: For the
